Wednesday, May 29, 2019
Light, Darkness, and Idolatry in The Damnation of Theron Ware :: Essays Papers
Light, Darkness, and Idolatry in The Damnation of Theron WareIn the first chapter of The Damnation of Theron Ware, Harold Frederic describes in dim detail every sight, sound, and structure comprising the annual Nedahma Conference of the Methodist Episcopal Church. Using images that evoke Dantes Empyrean or Tenth Heaven (Cantos XXX-XXXIII of Paradiso), Frederic remarks upon the hierarchical continuative of the clergy in attendance as well as the tendency of every eye present at the conference to be fixed upon a super acid objective point. Here Dantes and Frederics versions of the saved diverge. Frederics Methodists gaze not at an all-encompassing, all-penetrating light, but at a Bishop whose vision fails him as he reads through a hear of ministers assignments for the coming year. The difference here, as distinct as the light Dante sees, begins Frederics meditation on a major and seemingly unanswerable question in the novel. With Theron as his guinea pig, Frederic systematically po ses the question of where truth originates. The locus of attention of the entire assembly at Tecumseh proclaims nothing of overwhelming truth or even permanence. The light, on the other hand, originates ...from numerous tin-lined circles of flaring gas-jets arranged on the ceiling... (Frederic 1). This light transcends and shines down upon the entire group. Here Frederic sets up the notion that truth comes not from one fact point but from several, some of which we might not be able to see.Dante, remarking on his final vision of the Eternal Light, says, In its profundity I saw--ingathered / and bounce by love into one single volume-- / what, in the universe, seems separate, scattered... (Paradiso XXXIII, 85-87). Setting aside obvious colloquial, linguistic, and stylistic differences which account for the six-hundred years which separate these two authors, the above book of facts bears striking resemblance to the words of another seemingly enlightened character, Father Forbes. He s tates, in his first conversation of length with TheronSo the truth dust always the truth, even though you give a charter to ten hundred thousand separate numskulls to examine it by the light of their private judgment, and cut through that it is as many different varieties of something else (Frederic 70).This assertion that the truth exists beyond the realm of earthly understanding is echoed in Father Forbes final words to Theron, which reverberate equal the sound of the door slammed in the ministers face The truth is always relative, Mr. Ware... (Frederic 326).
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